Marshall dating

23-Mar-2018 20:58

Weitere Informationen zu unseren Cookies und dazu, wie du die Kontrolle darüber behältst, findest du hier: Cookie-Richtlinie.Before starting, I must warn you that acquiring vintage gear can be really risky.You can end up buying something that is not what you expected or even something that is damaged or modded beyond repair.So, always keep your eyes open for “fishy” deals, look for information, and always ask for high definition photos (especially from the interior of the amps – the circuit, the tubes and transformers) to make sure everything is right.They were a bit smoother and had a tad less gain than their Lead counter-parts. It is just as good as the other (probably even more versatile), but the “weird looks” probably scare people a bit and they think this is not a good amp. These amps weren’t much popular and were discontinued in 1973.

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Another player that acquired some of those was Eric Clapton, who used them to tour with Cream.

It was basically a copy of the 1959 Fender Bassman. In 1965, the plexiglass faceplates were introduced.

This is the reason why Marshalls of this early era (up to 1968) are known as “Plexis”.

The sound of this amplifier is “creamy” and “warm”. This amp is more suited for blues players, with a smoother sound.

Eric Clapton used a JTM-45 combo on the legendary (Now you know why this amp was called “Bluesbreaker” : P) He used his Les Paul through the Normal Channel of the amp. The then “horrible” distorted and saturated sound turned into what we know today as the “rock tone” (maybe not yet… Another example of this amp can be heard on AC/DC’s This is a confusing era, with lots of changes and new models. 😛 The transitition from the JTM to the JMP amps happened, in my view, with three steps.

Another player that acquired some of those was Eric Clapton, who used them to tour with Cream.It was basically a copy of the 1959 Fender Bassman. In 1965, the plexiglass faceplates were introduced.This is the reason why Marshalls of this early era (up to 1968) are known as “Plexis”.The sound of this amplifier is “creamy” and “warm”. This amp is more suited for blues players, with a smoother sound.Eric Clapton used a JTM-45 combo on the legendary (Now you know why this amp was called “Bluesbreaker” : P) He used his Les Paul through the Normal Channel of the amp. The then “horrible” distorted and saturated sound turned into what we know today as the “rock tone” (maybe not yet… Another example of this amp can be heard on AC/DC’s This is a confusing era, with lots of changes and new models. 😛 The transitition from the JTM to the JMP amps happened, in my view, with three steps.Wir verwenden Cookies, um Inhalte zu personalisieren, Werbeanzeigen maßzuschneidern und zu messen sowie die Sicherheit unserer Nutzer zu erhöhen.